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DISPLAYING POSTS BY: Bernard (2)

Murder in Mesopotamia forum

Author
by Bernard
Publish date
23 August 2012
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Comments (2)

Bernard works part-time at Melbourne Museum devising and delivering presentations for visitors. The other part of the time he has his nose in a book, most often a comic book.

Man dressed as Hercule Poirot Bernard/Poirot with a copy of Christie's Murder in Mesopotamia.
Image: Amanda Linardon
Source: Museum Victoria
 

Once upon a time, I went through a voracious Agatha Christie period, and immersed myself in a fictional universe of murders daring and domestic, and solutions logical and astonishing. I still return to the Queen of Crime from time to time, for a dose of ordered worlds turned upside down, with order (and an enlarged sense of that world) reinstated by Miss Marple or Hercule Poirot.

So when the chance arose to develop a forum around Agatha Christie's experiences on archaeological digs, which directly led to her happy marriage to Max Mallowan and her1936  novel Murder in Mesopotamia, I stuck on my second-best stick-on moustache and leapt in!

Drawing of man and woman Drawing of Max Mallowan and Agatha Christie in 1946.
Image: Bernard Caleo
Source: Bernard Caleo
 

Chairperson for the forum, Melbourne crime writer Angela Savage, explains that the idea for the forum came out of friendly banter about what to read in preparation for our Mesopotamia exhibition. "Someone suggested Murder in Mesopotamia, which I was intrigued to learn was Agatha Christie's most autobiographical novel. The more I learned about Agatha's links to archaeology, her marriage to Max Mallowan and the time they spent together on digs in the Middle East, the more intrigued I became."

Setting the scene of Agatha Christie's visits to the digs in Mesopotamia will be Henrietta McCall of the British Museum, joining us via an exclusive pre-recorded interview to show us on-site photographs of Agatha Christie, Max Mallowan, and Leonard and Katherine Woolley, the leaders of the archaeological expedition.

People at archaeological dig Leonard and Katherine Woolley excavating in the Royal Cemetery of Ur, 1928
Source: By permission of the Trustees of The British Museum
 

Another of our panellists is crime writer Kerry Greenwood, author of the Phryne Fisher series of crime novels set in 1920s Melbourne (recently adapted into an ABC TV series), who will speak about the 'golden rules' that determine Christie's particular style of crime writing. Kerry will also speak about the fascination that the ancient world holds for her as a fictional setting – both she and Christie have set murder mysteries in Ancient Egypt.

The CEO of Museum Victoria, Patrick Greene, also an experienced archaeologist, is our other panellist. Dr Greene's experiences on archaeological digs and his recent travels to Egypt will figure in the panel discussions.

"The relationships between life and art, between detective fiction and archaeology, and how the allure of ancient worlds finds expression in popular art forms suggests rich material for discussion," says Angela Savage. "To be able to assemble such a distinguished panel feels like quite a coup."

It's great to have an opportunity to fill out my knowledge of the fascinating life of Agatha Christie, and I have it on good authority that our friend M. Poirot may indeed make an appearance at the forum, exercising his famous 'little grey cells'.

Man dressed as Hercule Poirot Hercule Poirot. Or some manifestation thereof.
Image: Amanda Linardon
Source: Museum Victoria
 

The Murder in Mesopotamia forum is presented by Melbourne Museum and Sisters in Crime Australia on Sunday 9 September, 2.00-3.30pm.

Gilgamesh the first superhero

Author
by Bernard
Publish date
22 March 2012
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Comments (11)

Bernard works part-time at Melbourne Museum devising and delivering presentations for visitors. The other part of the time he writes and draws and edits and publishes comic books, and also teaches and broadcasts about them.

Gilgamesh. What a guy. 

In The Epic of Gilgamesh, we learn that he's the son of a human man and the goddess Ninsun.

Gilgamesh and Lamassu in the Louvre A hero overpowering a lion (left) and Lamassu in the Louvre. These bas-relief sculpures are huge - the man figure is about three times life-size. Lion-taming spirits are often identified with Gilgamesh.
Image: caribb
Source: Used under CC BY-NC-ND 2.0 from caribb.

He's two-thirds god and one-third human, and single-handedly built the city walls of Uruk to protect his people.

Gilgamesh statue Cast bronze sculpture of Gilgamesh at The University of Sydney. It was made by Lewis Batros and donated by the Gilgamesh Cultural Centre on behalf of the Assyrian community celebrating the university's sesquicentenary in 2000.
Image: D. Gordon E. Robertson
Source: Wikimedia Commons
 

He fought and befriended the wild man Enkidu. Enkidu and Gilgamesh fought the monster Humbaba (or Huwawa). They defeated Humbaba and brought his head back to Uruk on a raft.

Clay mask of the demon Huwawa or Humbaba. Clay mask of the demon Huwawa or Humbaba. The cuneiform inscription on the back says that if the intestines of a sacrificed animal are looped around to resemble Humbaba, it is an omen of 'revelation.' Gruesome.
Source: © The Trustees of the British Museum
 

Gilgamesh and Enkidu also defeated the Bull of Heaven, who was sent to destroy Uruk by the furious goddess Ishtar after Gilgmesh said that he wouldn't go to the prom with her.

Queen of the Night relief The 'Queen of the Night' Relief, possibly a representation of the goddess Ishtar. It might also be her sister and rival, the goddess Ereshkigal, or the demoness Lilitu, known in the Bible as Lilith. Old Babylonian, 1800-1750 BC, from southern Iraq.
Source: © The Trustees of the British Museum
 

Sure, Gilgamesh is the legendary demigod hero-king of Mesopotamia, but is he actually the first comic book superhero? Of course he is. There were definitely legendary heroes and gods before Gilgamesh, but he's the first one we have a publication for. That publication weighs a little more than your standard comic book, because it's made of tablets of baked clay. But there are 12 of those tablets, each telling of a separate episode, so each could be considered an 'issue' of the Gilgamesh comic mini-series.

The one possible argument against it being a comic book is its total and utter lack of pictures. However, this objection is easily overcome by holding the tablets of cuneiform up against the large narrative Mesopotamian wall-carvings. The tablets thus become word balloons, containing a tale that the characters on the carvings are telling to one another. THEN it's a comic book. A weighty comic book. It might even, given the scope of the story, be a 'graphic novel' (=long comic book). Ooh la la!

Three thousand years after that original clay publication of the adventures of Gilgamesh, the brilliant Jack Kirby, 'King of Comics', who virtually invented the visual language that we associate with American superhero comics, put the Babylonian demigod on paper. BK (Before Kirby), comic books used the restrained compositions and drawing styles that they had inherited from newspaper comic strips. Kirby changed all that. His characters burst through the frames. They leapt from the page.

Bernard reading comic book Me ensconced in the classic Jack Kirby comic book series The Eternals, which features his character Gilgamesh.
Source: Museum Victoria
 

Gilgamesh shows up in issue #13 of The Eternals (1977), a comic book series that Kirby created for Marvel Comics. In the intervening years, the character has been drawn and written by various writers and artists. Sometimes he's working under a different name (simply 'Hero' or 'The Forgotten One'), sometimes he's costumed in the hide of the Bull of Heaven, and sometimes he's fighting alongside the team called The Avengers, but I'm pretty sure he won't have a cameo in the film of the same name directed by Joss Whedon (the Buffy the Vampire Slayer creator) coming from Marvel Studios later this year. More's the pity, eh?

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Updates on what's happening at Melbourne Museum, the Immigration Museum, Scienceworks, the Royal Exhibition Building, and beyond.

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