Rare scene of first European contact

Author
by Kate C
Publish date
3 April 2012
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Comments (4)

Significant objects in our collections can remain more or less anonymous simply because they have been detached from their stories. They sit there, quietly waiting for someone to spend some time with them and join the dots.

Two researchers working with the Indigenous Cultures collections recently made an exciting discovery that returns two objects with incomplete provenance to a very important body of work. It began with Rosemary Wrench, curator of the Many Nations section in First Peoples, the new exhibition that is under development for Bunjilaka. While the exhibition focuses on south-eastern Australian Aboriginal nations, the Many Nations section celebrates Indigenous culture from across the country. Rosemary's task is to curate over 600 examples of Indigenous artworks, tools and artefacts that tell the stories of the people who made them, used them, and continue to do so today.

"When I started looking for suitable items, I eliminated all the restricted material first," explains Rosemary. "Then I wanted objects we hadn't put on display before. I considered 14,000 to 15,000 objects and systematically started going through the collection stores because there was no other way to do it."

Last year she opened a cabinet full of boomerangs. One of them was carved with an extraordinary scene of two Aboriginal men hiding behind a tree, watching Europeans and their horses. She showed it to Jason Gibson, an Australian National University researcher working on the Spencer and Gillen Australian Research Council project. "Straight away, Jason said 'I think that's by Jim Kite'." Jim Kite Erlikilyika [from Alyelkelhayeka, meaning "he slipped" or "glided away"] Penangke (1865-1930) was a Lower Arrernte man from the Charlotte Waters area. He joined Spencer and Gillen's 1901-02 expedition as an interpreter and is recognised as an accomplished artist.

Boomerang made by Jim Kite Boomerang made by Jim Kite, or Erlikilyika. Above: Upper side decorated with images of two stockmen and their packhorses and two Aboriginal men watching on. Below: Line art of the carved boomerang.
Image: Jon Augier
Source: Museum Victoria
 

The boomerang was purchased by the museum in 1946 from the estate of Herbert Basedow, a geologist, explorer and medical practitioner who worked in Central Australia and known collector of Aboriginal art. It came with no documentation at all. "It was clear to me from the style that it was Jim Kite's work but I had nothing to prove it," says Jason. Last month, he began searching for the proof for the artist behind this boomerang and another, exquisitely carved with hopping mice, from the Basedow collection.

Boomerang carved with two hopping-mice Boomerang carved by Jim Kite Erlikilyika with two Spinifex Hopping-mice (Notomys alexis).
Image: Jon Augier
Source: Museum victoria
 

In a newspaper article in the South Australian Register, Jason found a detailed interview about Jim Kite's 1913 art exhibition. "In the interview, he described this boomerang with two men hiding behind a tree." Not only was the creator of the boomerang identified, but the story behind the scene.

Detail of carved boomerang Detail of boomerang showing the explorers of John McDouall Stuart's expedition.
Image: Jon Augier
Source: Museum Victoria
 

Detail of boomerang Detail of boomerang showing two men hiding behind a tree.
Image: Jon Augier
Source: Museum Victoria
 

"According to Jim, these were Aboriginal people watching the first European explorer, John McDouall Stuart. When they saw a man dismount from his horse they were shocked because they thought the man and the horse were one entity. They'd never seen a horse and definitely never seen a white person." Jim Kite had captured a moment of 'first contact' from an Aboriginal point of view, making it an incredibly significant object. Erlikilyika was born five years after Stuart's arrival; the story he carved was told to him by people who saw it, whether they were members of his own family, or the people he interviewed when travelling with Spencer and Gillen. "Some people have described Erlikilyika as the first Aboriginal ethnographer because he was actively engaged with the interview process with Aboriginal people and made his own pictorial notes - markings to explain the Dreaming stories to Spencer and Gillen," continues Jason.

This discovery links previously unprovenanced objects back to Jim Kite Erlikilyika Penangke's story. Rosemary and Jason have also identified a whip handle and walking stick in the collection that they think could be the work of Jim Kite. Rosemary concludes, "it's very rewarding work, reconnecting these objects with their story."

Links:

Erlikilyika (1865–1930) in the Australian Dictionary of Biography

The expedition photographs of Herbert Basedow, National Museum of Australia

Comments (4)

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John K 4 April, 2012 16:28
The power of the story!!! Jim Kite/Erlikilyika is indeed a remarkable man, as far as I am aware the fist Indigenous artist to have a solo exhibition in Australia, the first great artistic innovator of the historical period in central Australia, a trail blazer for Albert Namatjira and Kaapa Tjampitjinpa. His work is so specific in its portrayal of mammals birds and insects, it is fantastic that the museum has a few items from this enigmatic man and resourceful man
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Deb 4 April, 2012 08:46
This is what its all about, what a treasure.
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Sue McB 3 April, 2012 17:44
How great to know the creator, history and provenance of such a beautiful piece of art, and to acknowledge the skills of Jim Kite. I don't envy Rosemary Wrench sorting through 14-15,000 items, but what a thrill to find such a treasure. Makes it definitely worthwhile.
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Liz 3 April, 2012 17:09
Amazing. Provenance is a wonderful thing in museum speak. Well done Rosemary and Jason.
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