Melbourne Museum

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Melbourne Museum

Melbourne Museum explores life in Victoria, from our natural environment to our culture and history. Located in Carlton Gardens, the building houses a permanent collection in eight galleries, including one just for children.

The Honourable Joan Kirner

Dr Greene is the CEO of Museum Victoria.

Museum Victoria mourns Joan Kirner, the former Premier of Victoria, who served as a member of the museum's governing body from 2003 to 2012.

Joan Kirner speaking at the Joan Kirner speaking at the celebration of the 21st birthday of Scienceworks.
Source: Museum Victoria
 

Joan's first involvement with the museum occurred during her time as Premier of Victoria when she opened Scienceworks, an investment in the scientific life of the State that proved very forward-thinking.

Joan was an enthusiastic supporter of Museum Victoria. Just last week she was talking about ways in which she might help with one of the museum's current projects that is providing visibility to the role of women on farms in Australia. Her enthusiasm for efforts to recognise and encourage women in all aspects of public and personal life extended to many other aspects of social justice, including the rights of Aboriginal Australians. She was a member of the museum's Aboriginal Cultural Heritage Advisory Committee, and the development of the First Peoples exhibition in Bunjilaka was dear to her heart.

Joan's passions extended to wildlife, and particularly birds. She and Ron, her husband, went on camping trips that would bring them to places rich in birdlife until ill-health curtailed that activity. She was a great advocate for opportunities for the museum to display its rich collections of natural science specimens, culminating in the opening of the award-winning Wild: Amazing animals in a changing world at Melbourne Museum. As someone who placed the education of young people high on any agenda, the museum's ability to reach and inspire hundreds of thousands of children was a source of considerable pleasure. Joan was also on the Immigration Museum Advisory Committee and was a strong advocate for youth engagement which resulted in the Talking Difference project.

I enjoyed working with Joan Kirner enormously during her nine years (the maximum term) as a Board member. Her enthusiasm was matched by her keen intellect: she was a constant source of wisdom. When she stepped down from the Board, Joan was appointed an Honorary Life Fellow of Museum Victoria and she continued to take a close interest in its progress. Her insights into the politics and personalities of Victoria were always valuable and frequently amusing. She was held in high regard by everyone associated with Museum Victoria and we will miss her greatly.

Junior Dino Experts

Author
by Kate C
Publish date
28 May 2015
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The very young are most susceptible to dino fever. In children, the symptoms are very clear: compulsive recitation of dinosaur names, a predilection for dinosaur motifs on every surface, a hyper-alert state anytime they 're near a fossil. In extreme cases, kids can reel off all the scientific inaccuracies in Jurassic Park. Fortunately, some kids never shake dino fever and they grow up to be palaeontologists.

Wayne Gerdtz curated two Melbourne Museum exhibitions that draw in lots of visitors: 600 Million Years: Victoria evolves and Dinosaur Walk. A chronic case himself, Wayne recalls a childhood filled with lurid dinosaur books. Since he grew up in remote country Victoria, his visits to the museum in Melbourne were infrequent and much anticipated. One prized souvenir from the 1970s exhibition Dinosaurs from China still hangs in his house. His palaeontological interests moved on to extinct mammals but dino fever still beats strongly in his heart.

 

Another trained palaeontologist, science educator Priscilla Gaff, thanks her Nana for fostering her interest in dinosaurs. From the age of 5 or 6, her Nana took her to the old museum every holidays. Cilla is still so afflicted by dino fever that she planned her upcoming overseas trip to include a visit to Mary Anning's old fossil-collecting grounds in Lyme Regis. (Anning herself hunted for fossils from a very young age and uncovered the first complete ichthyosaur skeleton when she was just 12, soon after her brother found the beast's skull.)

Mary Anning Portrait of Mary Anning with her dog Tray and the Golden Cap outcrop in the background. The painting is at the Natural History Museum, London.
Image: Credited to 'Mr. Grey'
Source: Public domain via Wikimedia
 

Now we seek the next generation of palaeontologists through the Junior Dino Expert Competition at Scienceworks. We are looking for children between the ages of 3–12 years of age who have a severe case of dino fever and a passion for sharing their dinosaur knowledge with others.  Applicants need to submit an application form and a creative response that demonstrates their love of dinosaurs. This could be a video, piece of writing, slide show, collage or anything else.

Junior Dino Expert Competition promo Junior Dino Expert Competition
Image: MV
Source: Museum Victoria
 

For details on how to enter, and a list of excellent prizes, visit the Junior Dino Expert Competition page. Be sure to have your entries in by Monday 8 June!

Links:

Tyrannosaurs – Meet the Family at Scienceworks

MV at sea

Author
by Tim O'Hara
Publish date
4 May 2015
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Dr Tim O'Hara is Senior Curator of Marine Invertebrates.

It is 3am, the night is jet black, the boat heaves with the swell, and a bunch of scientists and crew dressed in full wet-weather gear are silently standing, waiting on the back deck. There is always a sense of excitement as new samples are hauled in. What bizarre deep-sea creatures will be brought up? Perhaps this time we will see the enigmatic mushroom-shaped Dendrogramma, an animal (apparently) that has confounded all efforts at classification since its first collection by Museum Victoria in 1986. Or maybe the massive sea-lice that can devour a dead whale? Or just seafloor life in incredible abundance?

Large blue and white Investigator vessel The Marine National Facility research vessel Investigator at the CSIRO wharf in Hobart.
Image: Tim O'Hara
Source: Museum Victoria

Ship's crew using machinery on deck Deploying the Smith McIntyre grab.
Image: Tim O'Hara
Source: Museum Victoria
 

On Easter Tuesday, four science staff and students from Museum Victoria (Di Bray, Mel Mackenzie and Skip Woolley and I) joined scientists around Australia on a trial voyage of Australia’s brand new research vessel, the Investigator. The idea was to test out all the gear necessary for deep-sea exploration, from iron box-like dredges, used for over 200 years to collect samples, to the high tech cameras that bounce above the seabed, worked in real time from a joystick and a bank of computer monitors in the bowels of the ship, thousands of metres above. We went south of Hobart into the Southern Ocean, specifically to look at life on underwater sea mountains in the Huon one of the Commonwealth’s recently declared marine reserves.

People in the Investigator vessel lab The sorting lab: Skip, Di and Mel facing Karen Gowlett-Holmes of CSIRO.
Image: Tim O'Hara
Source: Museum Victoria

Big camera rig on ship deck The towed deep-sea camera.
Image: Tim O'Hara
Source: Museum Victoria
 

But I had another motive to joining this trip. Next year in November I will be chief scientist of a voyage from Brisbane to Hobart that will survey Australia’s abyssal sea-plain (4000 m below sea-level). So I really wanted to learn all I could about the capabilities of the vessel and think about best practice scientific procedures to ensure we get the most out of the expedition.

The Investigator, run by the Marine National Facility funded by the Commonwealth Government, is a large (94 m), elegant and efficient platform from which to do deep-sea research. Diesel electric engines keep the noise down and high tech stabilisers prevent much of the pitch, yaw and roll that can make life miserable on smaller boats.

People on ship deck The crew deploying gear off the stern deck.
Image: Tim O'Hara
Source: Museum Victoria

Ship crew deploying gear Preparing for the next catch: MV staff in canary yellow facing Mark Lewis of from CSIRO with Mark McGrouther of the Australian Museum looking on.
Image: Tim O'Hara
Source: Museum Victoria
 

My main memories of the trip: dark thundery night skies, albatrosses, friendly company and lots of carbs to eat. All too soon we steamed back to another sunny day in Hobart. We didn’t find Dendrogramma – maybe next time.

Happy birthday field guide apps!

Author
by Nicole K
Publish date
30 April 2015
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One year ago today we launched eight very special apps – field guides to the fauna of every state and territory in Australia. What makes these apps so special? They were produced collaboratively by Australia's seven leading natural history museums. 

The suite of 8 Field Guide to Australian Fauna apps. The suite of 8 Field Guide to Australian Fauna apps.
Source: Museum Victoria
 

Together the seven museums produced descriptions and sourced images for over 2100 animals from terrestrial, freshwater and marine environments. The result was a suite of pocket-sized identification guides, that could be used by everyone, everywhere – and they're free.

It's been a big year for the field guide apps. They have won two international awards, a Best of the Web award and a Muse award, as well as the Northern Territory Chief Minister's award for Excellence in the Public Sector.

The apps are also highly regarded by the app stores. All 8 apps appear in iTunes' Education Collections, which feature their hand-picked recommendations for "students, teachers, parents and lifelong learners". iTunes calls these apps "indispensable tools that will inspire students in every classroom".

MV Collection Manager, Katie Smith, using the Field Guide app. MV Collection Manager, Katie Smith, using the Field Guide app.
Source: Museum Victoria
 

Over the past year, the apps have been used by the museums in school holiday activities, education programs, teacher training, community outreach and biological surveys. But we're most excited about how the public are using them – to identify animals and to learn more about Australia's amazing wildlife.

Students using Museum Victoria's app in the Forest Gallery at Melbourne Museum. Students using Museum Victoria's app in the Forest Gallery at Melbourne Museum.
Image: Mirah Lambert
Source: Museum Victoria
 

The apps have received glowing praise from their users and, since the launch, have been downloaded over 78,000 times. We're absolutely thrilled that the apps have been so well received and look forward to what the next year will bring.

The National Field Guide Apps Project was funded by an Inspiring Australia Unlocking Australia's Potential Grant. The project was a 2-year collaboration between: 

Who do you love?

Author
by Blaire Dobiecki
Publish date
15 April 2015
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Blaire is a Presenter at Melbourne Museum and self-professed dog enthusiast. She specialises in having fun and doing science, often simultaneously.

Melbourne Museum’s term one weekend activity, Museum Love Letters, has come to an end, which means the results are in! Which museum objects received the most love?

Bar chart of love letters Bar graph showing the number of love letters sent to particular museum objects or exhibitions.
Source: Museum Victoria
 

The dinosaurs are by far the most loved exhibits at Melbourne Museum, receiving a whopping 273 letters. In particular, 29 love letters were addressed directly to the T-Rex, a dinosaur that was nowhere to be found within the museum. The authors may have meant to send their regards to our lovable Tarbosaurus.

Unsurprisingly, Phar Lap was the next in line with 88 letters, followed by the entire Forest Gallery with 70 letters. The butterflies and bugs, Pygmy Blue Whale and 3D volcano movie were also highly admired.

Love letter to Little Lon house A love letter to the Little Lonsdale House in The Melbourne Story reads “Dear House, I like learning from the olden days. I like you. From Zali."  

But these letters revealed far more than just a numbers game. The activity was designed to allow visitors to reflect upon the significance of Melbourne Museum’s collection. Many stories of personal meaning for objects emerged.

Love letter to Sam Koala A love letter from Casey to Sam the Koala reads “I love the fact you were so brave and now you’re here.”
Source: Museum Victoria
 

Greg expressed his gratitude to the Cole’s Funny Picture Book for teaching him how to read. Jess thanked the meteorites for reminding her that there is so much more than just us in this universe. Lana appreciated the Love & Sorrow exhibition for reminding her that we are lucky today to live in a safe and free country.

Love letter to Cole's Funny Picture Book Love letter from Greg reads “Funny Picture Book of Edward Cole: When I was a boy you gave me countless hours of joy. Now I declare my thanks that will never end. For teaching me to read. My dear, dear friend.”
Source: Museum Victoria
  

The objects and exhibitions in Melbourne Museum carry many levels of meaning and significance. They uncover stories about history, science and society that are then shared with the public. This activity turned the tables and gave the public the opportunity to share their personal stories of object significance with the museum. It was a wonderful opportunity for staff to hear what objects visitors treasure the most and why.

Staff members were also encouraged to share their stories. John Patten, Senior Programs Officer in Bunjilaka, shared a story of very close personal significance to an object that is not currently on display. A breastplate worn by his great, great, great, great grandfather, a leader among the Dhulenyagen clan of the Yorta Yorta people.

King Billy's breastplate King Billy's breastplate
Source: Museum Victoria
 

John's love letter John's letter to the breastplate.
Source: Museum Victoria
 

Look who's back

Author
by Jessie
Publish date
7 April 2015
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Near the end of March, we made few staff members and visitors smile—we returned Murray, the museum’s resident Murray-Darling Carpet Python (Morelia spilota metcalfei) to the Discovery Centre at Melbourne Museum. He had lived next to the Discovery Centre desk for several years but was removed from display in 2012 due to lack of resources. Since then he was kept in our back of house lab and only taken out for short public programs when we had time.

Detail of python Murray, the museum's Murray-Darling Carpet Python (Morelia spilota metcalfei)
Source: Museum Victoria
 

Murray is an important animal to showcase at the museum as these carpet pythons are now listed as endangered in Victoria. They were once common in the northern regions of the state, but are now restricted to small localised populations. In Victoria, they are mainly found in rocky country, riverine forests, redgum forests and Black Box forests of the Murray Darling Basin to the north.

The major threat to their survival is habitat destruction, particularly the collection of wood from their habitat for firewood. They are also killed by cats, foxes and humans. Sadly, many people still believe that if you see a snake, you should kill it. This has a devastating effect on an already endangered species where every individual is precious to the survival of the species. It is important to be aware as firewood consumers that we may be burning up important resources for these members of the Victorian ecosystem.

In the wild, Murray Darling Carpet Pythons eat birds and small mammals. In captivity they are generally fed on mice and rats. Murray receives frozen thawed mice once a month, given to him by one of the Live Exhibits staff. Live Exhibits looks after Murray as well as a whole array of other animals across the Museum including other reptiles, birds, frogs and invertebrates. 

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Updates on what's happening at Melbourne Museum, the Immigration Museum, Scienceworks, the Royal Exhibition Building, and beyond.

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