[A guest post from Kathy, one of our brilliant IDC volunteers!] 

Photo: Rodney Start  Source: Museum Victoria

On November 22, 2009, the Immigration Museum will celebrate Melbourne's Lebanese community. The Lebanese Cedar Festival showcases Lebanese culture through traditional music, dance, talks and films. Come along to enjoy roving entertainers, games such as touleh (backgammon) and lebanese coffee and sweets!

The Immigration Discovery Centre has a diverse range of resources focussing on migration and cultural diversity. We at the IDC have been having fun preparing for the Lebanese Festival. Resources include the Lebanese Resource Folder, a range of reference books and an Infosheet (prepared by one of our volunteers) on Lebanese migration to Australia. This contains a list of useful websites.

Infosheets have also been prepared on Dutch, German and Indonesian migration to Australia, with more to come soon...

Volunteers play an important role in the Immigration Discovery Centre, helping with things such as answering queries, preparing InfoSheets, and participating in community celebrations. If you'd like to find out more about volunteering with Museum Victoria, you can get more information here.

This afternoon I had the pleasure of introducing Peter Plowman at the launch of his new book Migrant Ships to Australia and New Zealand, 1900 to 1939. For a couple of hours, Immigration Museum's theatrette became the site of an old-fashioned slideshow, as vessel after vessel flashed onto the screen to Peter's expert commentary. Masts came and went, funnels grew and diminished, names altered, colours changed - and history charged forward from the start of the century via two World Wars. Who knew that so many ships made the perilous journey from Europe to Australia? Then, in 1914, and again in 1939, they all turned around again.

Photo: W. S. Anderson  Source: Museum Victoria

Photo: Unknown  Source: Arnost Vochala 

At first, I thought I was in for a convict story. The visitor to the Immigration Discovery Centre was holding out an old photograph of a scary-looking prisoner and clutching a bundle of papers. But he was also pointing at himself, and after a few seconds I saw the resemblance. "It's you!" I realised, before hearing the story of three Czechoslovakian friends arriving in Adelaide, 1949, and making friends among "the theatrical crowd." Result? A newspaper article about "one of the biggest night crowds ever seen at Glenelg" - BIG CROWD SEES MARDI GRAS - at which the fancy-dress prize "went to three New Australians who arrived from Czechoslovakia three months ago....all of Kilkenny, who wore striped pyjamas and 'trimmings' to represent a chain gang."

Proudly, the man held out a second photograph, saying "that's Oldrich, that's Ziri - and that's me." Curious party - and not a bad effort for a bunch of immigrants still recovering from jetlag.  

Photo: Unknown  Source: Arnost Vochala

The important question of the visibility of the moon will become even more resonant, this weekend, as Muslims around the world look to the skies for a glimpse of the lunar sliver that will signal the end of Ramadan.

This morning I was on the telephone to a devout man in the "naked eye tradition" - those who will only end the fast when the moon has been spotted - who wanted clarification of the moon's rise and set times on the website of Melbourne's Planetarium. Where should he look? When will it rise? At another (American) website a dismal-looking black square signified invisible moons until halfway through the weekend, but the man on the phone insisted that he could see the hint of reflected light, on his own screen, "like a reversed C." I said: "you look with the eyes of faith..." 

Photo: James W. Young  Source: NASA/courtesy of nasaimages.org

Īd mubārak!

Photo: Philip Thiel  Source: Museum Victoria

On Thursday, Melbourne Museum's Discovery Centre hosted a group of young art students along with a number of marine birds. The birds were set up on tables across the centre for the inspection of the students of Torquay College doing a cool program run by the Geelong Gallery which involved drawing things realistically by looking and copying. They'd already been upstairs to sketch the blue whale...

We were impressed not only by the final results (I wish I could draw!) but the quietness and concentration displayed by the budding artists - never before had we seen so many children so still, with only their wrists and pencils moving.

Photo: Philip Thiel  Source: Museum Victoria