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Puppet - Greek Shadow Puppet Theatre, Karaghiozis [classic], 1960s Object Reg. No: SH 911421

Summary:
This puppet was made in the 1960s by the Greek puppeteer and popular artist Abraam (Antonakos) in his Athens workshop, and used in performances in Greece during the 1960s. This and most of the puppets in the collection were brought to Australia by Abraam Antonakas for his performances at the Astor Theatre in Melbourne in 1977. He then left the collection with Dimitri Katsoulis who used them in all his subsequent performances in Victoria and in South Australia from 1978 to 1991.The pieces which make up this puppet were painted by Abraam, while Dimitri Katsoulis did the preliminary work to transfer the sketches onto the acrylic, the cutting and the scraping to make the surface opaque to enable the paints to adhere better. Dimitri Katsoulis migrated to Australia in 1974 to escape a regime that repressed Greek artists. He had trained in Greece with theatre and film companies as an actor and technician. A master of the traditional Greek shadow puppet theatre, his performances explored contemporary issues such as the isolation of migrant women and children. Unable to obtain funding and support, he returned to Greece in 1991, leaving his entire collection to the people of Victoria. It includes 32 shadow puppets and around 170 props, set backdrops and technical tools and stage equipment. Dimitri has since returned to Melbourne and assists the Museum to continue to document this rich art form within both local and international contexts.

Karaghiozis is a character in the centuries-old Greek Shadow Puppet Theatre (Karaghiozis) tradition. He identifies with the common man with all the advantages and faults. The Greek Karaghiozis is wiser and less of a clown than Karagoz, his Turkish brother. He is poor and uneducated, relying on his cunning and ready wit to extricate himself from precarious situations. He is a Greek folk hero for children and adults. Karaghiozis often mocks the various characters and includes them in his desperate adventures. He also pays them shameless compliments in order to avoid being harassed. Although totally uneducated, Karaghiozis manages to bluff his way into different jobs, allowing the puppeteer to satirise prominent figures, professions and contemporary issues. His principle characteristic is his sarcastic and satirical disposition. He does not accept charity and mocks himself, he is unemployed but concocts various means to make ends meet for his family. He is cunning, extremely intelligent, witty, just and honest and he does not seek to avoid the responsibilities with which he is charged. He is a small time swindler.He is the soul of the Shadow Puppet Theatre. Karaghiozis has a role in all the plays, because without him there is no performance. These include comedies, heroic dramas, religious, social and mythological works.

The puppet is manipulated by two puppet rods [there are many examples in the collection], one which is connected to the puppet's shoulder and the other on its hand. Karaghiozis has one abnormally long arm so that his gestures can have additional expressiveness, making hand gestures, and hitting and holding objects. The torso and the arm can be moved separately.

Information supplied by Greek Shadow Puppet Theatre master Dimitri Katsoulis, 2007.
Description:
An acrylic figure of a man, in profile, jointed at waist and above knees and with multiple joints and a leather extension in one arm. There are small holes in the back, both hands and the lowest arm section for the attachment of the supporting rods. The legs and feet are bare. He wears blue, patched bloomers, a red sash around the waist, a white shirt and a short, patched jacket with one green sleeve.
Discipline: History
Dimensions: 57.00 cm (Height), 21.00 cm (Length)

More information

Tagged with: cultural maintenance, greek communities, greek immigration, karaghiozis theatre, shadow puppetry, theatres, working life
Themes this item is part of: Greek Shadow Puppet Theatre - Dimitri Katsoulis, Greek Shadow Puppet Theatre - Lighting Technology, Greek Shadow Puppet Theatre - History, Cultural Diversity Collection, Migration Collection, Working Life & Trades Collection, Identity: Yours, Mine, Ours, Immigration Museum Exhibition, 2011-2021
Primary Classification: CULTURAL IDENTITY
Secondary Classification: Ethnicity - Creative Practice
Tertiary Classification: puppetry
Artist: Mr Abraam Antonakos, Athens, Greece, 1960-1969
User: Mr Abraam Antonakos, Athens, Greece, 1960-1977

Abraam made the puppet in Greece, and used it in performances during the 1960s and 1970s; and then in Victoria in 1977.
User: Mr Abraam Antonakos, Victoria, Australia, 1977

Abraam made the puppet in Greece, and used it in performances during the 1960s and 1970s; and then in Victoria in 1977.
User: Mr Dimitri Katsoulis, Australia, 1978-1991

Dimitri was given the puppet by Abraam in 1977 and then used it in his performances in Australia until 1991.
References: http://www.cv.vic.gov.au/#; Malkin, Michael, R. Traditional and Folk Puppets of the World, A.S. Barnes & Co., Inc., N.J., 1977; Simmen, Rene, The World of Puppets, Elsevier, Phaidon, London, 1975; Hogarth, Ann & Bussell, Jan, Fanfare for Puppets!, David & Charles Publishers Ltd, USA, 1985; Yayannos, A & Ar and Dingli, J. The World of Karaghiozis, 1976

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