Search the collections
Journeys of a Lifetime, Immigration Museum Exhibition, 1998-2015
Image: Student Visitors
Source: Museum Victoria
The Long Room provides a dramatic backdrop for the stylistic recreation of an enormous ship structure. The ship contains a series of set piece environments through which visitors can walk and become immersed in changing forms of shipboard travel over time. These include a 1850s clipper sailing ship, an early 1900s steamship salon, and a third class ocean liner cabin from the 1950s. These rooms evoke the conditions of the eras, including an evocative series of soundscapes, as well as featuring a selection of collection objects. At the end of the ship is an interactive map which plots the typical routes and durations of the different transport options over time, including aeroplane travel. Visitors are challenged to consider how technology has changed over time from a sea voyage lasting up to three months to a short 24 hour plane flight. The ship also includes a series of portholes which playfully presents some of the non-human 'immigrants' which have arrived in Australia such as blackbirds, rats and roses.
Further Exhibition Content
The Era of Clippers
Complete dependence upon the winds meant that sailing from England or Europe to Australia might take up to four months, but a well-run clipper could cut this time almost in half. Clippers represented the pinnacle of sailing ship technology. With their streamlined hulls and acres of sail, designed to catch even the slightest breeze, they were built primarily for speed. Despite these improvements, however, clippers were often little better in passenger comfort below deck than the sailing ships of a century before. For 'steerage' passengers, conditions in cramped and unhygienic quarters became worse when tremendous storms were encountered in the Southern Ocean. At such times passengers were confined below deck for days, sick, torn and tossed, fearing for their lives. Although sadly common, a death at sea was still a terrible shock for passengers and crew alike. For the burial, the body was sewn into a piece of canvas or placed in a rough coffin (often hastily knocked up by the ship's carpenter) and weighed down with pig iron or lead to help it sink.
Driven by Steam
Although steam was initially slower than sail power, a sailing ship could make no headway without wind. The clever combination of steam and sails resulted in auxiliary steamers that could offer more predictable and dependable travelling times than sailing ships. The change from traditional wooden hulls to iron hulls enabled steamships to be larger and stronger, with increased space below deck. These new steamers offered greater passenger comfort, including grand saloons for first-class passengers and small cabins rather than open sleeping berths in steerage class.
Towards the end of the 1860s two major changes occurred in sea travel to Australia: the opening of the Suez Canal in 1869 and the introduction of compound steam engines. Voyages to Australia entirely under steam power became practical, but it was the subsidy offered by a government mail contract that actually made the service profitable. Following the First World War, passenger shipping was further transformed by the introduction of steam turbines, cleaner oil-fired boilers and, later, the first diesel-powered motor vessels. Many passenger ships in this era also carried cargo to remain profitable, leading to compromises in passenger comfort, particularly in third class. By the 1930s, the leading shipping lines had begun introducing a new class of massive 20,000-ton ocean liners, setting unprecedented standards of luxury and elegance.
Troopships to Migrant Liners
During the Second World War migrant ships were redeployed to war service as armed cruisers, floating hospitals and troopships. After the war, many ships that had carried soldiers were hastily converted to meet an urgent demand for migrant transportation. Passenger comforts on such troopships were very limited. Accommodation on these vessels was extremely basic, with large empty holds fitted out with double- or triple-tiered bunks; the food was plain and sometimes inadequate; overcrowding was a common complaint; and all passengers, including families, were split into men's and women's quarters. As the number of post-war migrants - as well as tourists and business travellers - increased, shipping lines realised the potential profits to be made. A more competitive market rapidly developed after 1948. New purpose-built migrant liners were introduced, and a new approach was taken to attracting immigrant trade. The signature large dorms of the early post-war period were replaced with cabins, which in some cases were air-conditioned; daily newsletters, port-of-call booklets and decorative menus were designed; balls, parties and sporting competitions were arranged; and children were better catered for, with playrooms and organised deck games. Souvenir shops were also installed on ships of this era. This was clever marketing and it increased companies' revenue. Souvenirs included postcards, sailor dolls, ashtrays, cocktail swivel sticks and spoons, all sporting the ship's name.
The Long Room
The Long Room in which the Ship stands is a majestic palazzo-style space with Ionic columns, high ceilings and hand laid tessellated tiles. It is one of the grandest and most elegantly proportioned classical interiors in Melbourne, the dramatic scale and decorations of the room emphasised the importance of the Customs Department.
For more than a century this enormous space was the centre of customs and trade activity in Victoria. On busy days the room was teaming with people and noise as up to 100 merchants and importers waited for one of 30 customs officers to process their forms. Standing behind wooden counters the customs officials calculated and collected duties on incoming and outgoing goods.
Key Exhibition Objects
- Portable wooden Medicine Chest, circa 1850s
Related Collection Objects
The Museum holds a rich collection of objects, documents and images relating to migrant transport over time. This includes ship and aeroplane models, shipboard diaries, shipboard souvenirs, newsletters, menus, programs etc distributed by shipping companies, luggage, tickets of passage, etc. The journey made by migrants to Australia remains an enduring memory for people.
- SS Orient Steam Ship Model, 1879
- Jervis Bay Steam Ship Model, circa 1921
- Diary written by Ally Heathcote on the SS Northumberland, England to Melbourne in 1874
- Jack Rasmussen's cut throat razor, a souvenir for crossing the equator in 1921
- Trunks and suitcases
- Qantas Lockheed Super Constellation Aeroplane Model
- Navigational equiptment including sextants and telescopes
Objects featured in our long term exhibitions are changed over regularly both for preservation reasons and also to maintain a diverse representation of stories, communities and cultures. Both current and past Museum Victoria objects displayed in this exhibition are listed below.
Items per page: 10 50 (showing 1 - 10) 30 items
Quill pen cutter made by Savigny & Co, London, circa 1810-1850. It was used for cutting the points on quill pins. Savigny & Co were a London based razor and surgical instrument maker, w ...Images: 1
Two opium spatulas with horn handles, circa 1900s-1930s. Opium use was widespread in China between the 17th and 19th Centuries with the British East India Company importing large quanti ...Images: 5
Brass Megaphone recovered from the ship the 'Duke of Wellington' which was wrecked off Cape Liptrap in 1853. The barque was sailing from Port Phillip to Newcastle when it ran aground, a ...Images: 1
Sewing kit in leather box. It is part of a collection of items which include three visiting card cases, baby's rattle and teething ring, rule, skittle game, box of needles, blotter fold ...Images: 4
Mechanical pencils. Three early types of continuous writing devices. Circa 1880. The lead is held in a tube which retracts into the outer cylinder. The retraction is a sliding motion an ...Images: 1
Kerosene ship's lamp, circa 1820s-1880s. It could have been used as a portable lamp or a hanging one.Images: 3
Kodak 2C Autographic Brownie Folding Camera, made by Eastman Kodak Co. circa 1920. This camera uses A-130 film, 6 exposures, postcard size 12.Images: 1
Wooden box which opens out to make a cribbage board, the scoring pegs, of which only three remain, are kept inside the box. Cribbage, or crib, is a card game traditionally for two playe ...Images: 3
Kodak folding brownie No. 3, Model A, made by Kodak, 1905-1909.Images: 1