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Identity: Yours, Mine, Ours, Immigration Museum Exhibition, 2011-2021
Image: Tin - Piccaninny Floor Polish
Source: Museum Victoria
Identity: yours, mine, ours explores who we are, who others think we are, and what it means to belong and not belong in Australia. The exhibition focuses on how cultural heritage, languages, beliefs, and family connections have, and do, influence our self-perceptions and our perceptions of others. This can lead to discovery, confusion, prejudice and understanding.
Engaging personal stories, intriguing objects, compelling images and interactive multimedia experiences invite visitors to find both expected and unexpected connections with others, as well as challenge the assumptions we make about each other every day.
The exhibition encourages visitors (both in the gallery and online) to share their stories, affirm their identities and celebrate diversity in our community.
This exhibition has offered an exciting opportunity to bring together and creatively interpret a diverse array of material culture that will often be unexpected in the context of the Immigration Museum. Popular culture, racist and anti-racist ephemera, religious and sporting items, Aboriginal historical and contemporary cultural material, and an eclectic mix of artworks are all combined and interpreted to challenge visitors beyond the more conventional narratives of migration. Over 130 objects have been drawn primarily from the Museum's History and Technology collections (including the Migration, Cultural Identity, and Numismatic collections). Community and institutional loans relating to particular personal stories are also included, including those exploring Aboriginal experiences.
An interactive display exploring the theme of First Impressions incorporates a small number of objects which have either symbolic resonance about diverse forms of visible identities or represent personal experiences of family connection and disconnection.
The theme of Belonging draws upon museum and community objects to explore a variety of personal and collective experiences which cross time and culture - both in inter-cultural and cross-cultural ways. This theme is object rich and eclectic and places artefacts together in unexpected ways. Moreover the focus on Creativity within this theme provides the opportunity to present a cornucopia of beautiful often thought-provoking artworks which all explore personal identity in ways unique to the experiences and chosen media of the artists. This case features objects from the Museum's Immigration and Artistic Practice collection while also bringing in new works on loan or purchased by unrepresented communities. Short videos provide further insights into personal and community stories and the related objects, with cultural and faith representation including: Albanian Muslim, Irish, Brazilian, Caribbean, Scottish, Indian Sikh, Wotjobaluk, Naga, Jewish, Vietnamese, Sudanese, Latvian, German, Chinese, Christian Fijian, Greek, Japanese, and Wathaurong.
The final theme of Difference uses objects in very different and often confronting ways. A small number of objects provide material representations of theories and politics of race over time within the context of a strong graphic presentation and text-based historical narrative. These items range from an early magic lantern slide to an anti-racism protest badge. Another section draws on a rich, colourful and very familiar array of objects, including toys, games, clothing, advertising material and product packaging, to explore how popular culture has affected the creation and perpetuation of stereotypes. Some of these items are clearly prejudicial, while other more subtle objects consider the complexities of intention and interpretation according to the different viewpoints of the producer, target and consumer across time.
This is a long-term exhibition and some objects will change over time as new stories are represented and conservation requirements mean that more fragile items are removed from display and exchanged for new ones.
Identity: yours, mine, ours website.
Objects featured in our long term exhibitions are changed over regularly both for preservation reasons and also to maintain a diverse representation of stories, communities and cultures. Both current and past Museum Victoria objects displayed in this exhibition are listed below.
Items per page: 10 50 (showing 61 - 70) 142 items
Ink on Paper Painting, 'Landscape-Past and Present', made by Lou Xiang, circa 1997. Lou is a Chinese brush and ink artist who was born in Shanghai in 1955. He studied traditional brush ...Images: 2
National doll seated as if in prayer, which was produced to represent an Afghan man. It was given to Monica Gates by her mother who purchased it at the Kabul bazaar on an overland campi ...Images: 3
Booklet titled 'Credo for a Nation' which was originally an address made to Family of the Nation Rally, by the Hon A.J. Grassby on 9 June 1974 in Sydney. The address focused on the impo ...Images: 4
Paper prepared for Cairnmillar Institute's Symposium 'Strategy 2000: Australia for Tomorrow', held in Melbourne in August 1973. This paper was presented on 11 August 1973 by Hon A.J. Gr ...Images: 4
Shawl in McDonald tartan, made in Victoria, circa 1917. It is part of a traditional Scottish Highland's costume worn by Lorna McDonald for dance performances in Nullawil and Wycheproof ...Images: 7
Limerick lace wedding veil imported from Ireland and worn by Janet Scrimgeour at her wedding in Bendigo in 1865 to Peter Brackelmann. She had migrated with her family from Scotland in 1 ...Images: 2
Paper prepared for Cairnmillar Institute's Symposium 'Strategy 2000: Australia for Tomorrow', held in Melbourne in August 1973. This paper was presented on 11 August 1973 by Hon A.J. Gr ...Images: 2
Booklet titled 'Credo for a Nation' which was originally an address made to Family of the Nation Rally, by the Hon A.J. Grassby on 9 June 1974 in Sydney. The address focused on the impo ...Images: 3
Set of three metal brooches made by Igors Polikevics and worn as part of a Nica region Latvian costume. The brooches are attached to the right hand shoulder holding the shawl in place. ...Images: 3