MV Blog


Smoky mouse update

by Phoebe Burns
Publish date
25 February 2014
Comments (3)

Phoebe is a University of Melbourne Masters student supervised by Dr. Kevin Rowe at MV. She is studying post-fire distribution and ecology of the Smoky Mouse in the Grampians National Park.

In September 2013, I moved to the Grampians, pitched a tent and set out to see how the endangered Smoky Mouse, Pseudomys fumeus, was faring in the aftermath of the February 2013 Victoria Valley fire. After three soot-covered months, I’m back in Melbourne enjoying modern comforts like showers and instant boiling water.

Grampians landscape Grampians landscape
Image: Phoebe Burns
Source: Museum Victoria

I began my surveys at the site where, prior to the fire, we found a healthy population of Smoky Mice in the November 2012 Museum Victoria Bioscan. By September regrowing bracken ferns and eucalypts added a splash of green to the blackened landscape. In spite of the devastation, I caught several healthy Smoky Mice including some of the same individuals we’d caught the previous November! The ecological significance of this discovery alone was cause to celebrate.

Adult Smoky Mouse Adult Smoky Mouse on a burnt log
Image: Phoebe Burns
Source: Museum Victoria

Between my first capture in September and my final trapping night in December, I surveyed 46 sites in and out of the burn scar across the Victoria Range in the Grampians. At six of those sites, all within the burn scar, I found Smoky Mice living in the rocky habitats. The mice in these populations were not just surviving, they were healthy and breeding. I caught adults weighing as much as 70 grams but I also found tiny juveniles newly emerged from the nest weighing only 12 grams.  

Juvenile Smoky Mouse Juvenile Smoky Mouse
Image: Phoebe Burns
Source: Museum Victoria

While I was looking to find Smoky Mice, my trapping methods meant I also caught a number of other small mammal species (and a few reptiles). I was lucky enough to encounter Swamp Rats, Rattus lutreolus, Heath Mice, Pseudomys shortridgei, Agile Antechinus, Antechinus agilis, and Dusky Antechinus, Antechinus swainsonii. The highlights of my small mammal by-catch were two tiny Eastern Pygmy Possums, Cercatus nanus, that found their way into my traps.

Eastern Pygmy Possum Adult female Eastern Pygmy Possum
Image: Phoebe Burns
Source: Museum Victoria

The last three months were physically and mentally challenging, hiking up mountainsides in the rain and hail, being snowed on one day and sweating in the heat the next, but it was worth every unpredictable minute. I feel so privileged to explore the beautiful, rugged wilderness of the Grampians National Park and to have encountered so many remarkable species. The Parks Victoria staff provided a wealth of logistical and emotional support. It’s great to know that our parks are in such capable hands and that the Smoky Mice of the Victoria Range are thriving in spite of the fires.


MV Blog: Smoky Mice in the Grampians

Big weekend for the bells

by Susan Bamford-Caleo
Publish date
20 February 2014
Comments (1)

Susan manages the Federation Handbells lending program.

8 and 9 February will be remembered as a grand weekend for the Federation Handbells with their participation in two very important events in Melbourne.
The Federation Handbells and Museum Victoria have an exciting partnership with the Melbourne Recital Centre this year. The first part of this project took place last week with two composition workshops leading to a performance that opened the Melbourne Recital Centre’s 5th Birthday Celebrations on Saturday 8 February. The performance was called Birthday Bells.

Federation Handbells procession The Federation Handbells, after a procession down St Kilda Road to launch the festivities at the Melbourne Recital Centre, lead the way to the Elizabeth Murdoch Hall.
Source: Melbourne Recital Centre

The workshops were led by composer Steve Falk and me, with participation from percussionists Eugene Ughetti and Leah Scholes. Those enrolled in the workshops had responded to a general call-out and included people ranging widely in age and background. Over the days that we spent together, playing and creating with the Federation Handbells, a genuine sense of group identity was created, so much so that the participants have asked if we can form a Federation Handbells Players group and suggested that we call it Clang!

The excitement and enthusiasm of the participants and the connection that developed with each other and with the bells was a perfect example of the Federation Handbells fulfilling their commission. Wonderful! 

We very much appreciated the generous assistance and support of Kirsten and the Melbourne Recital Centre staff and can’t wait to get back there for the second part of our joint project, the Federation Handbells Residency (April to September, 2014). 

The other very significant event at which the Federation Handbells appeared that weekend was the 2009 Victorian Bushfires Fifth Anniversary Remembrance Event on Sunday 9 February. The handbells were played in a performance of Risen From The Flame by The Blacksmith’s Tree Youth Choir, a choir consisting of children from fire-affected communities. The children sang and played their composition led by Bridget Muir, a youth worker from Nillumbik Council. The piece was originally written by Bridget and the children for the launch of the Blacksmith’s Tree in Whittlesea in November, 2013.  You can view the performance in this YouTube video:


The Federation Handbells have contributed strongly to community involvement in a number of commemorations for the 2009 bushfires over the last five years and it highlights their importance as significant ceremonial instruments for Victorians.
We are looking forward to more big weekends with the Federation Handbells as they continue their important role in Victoria and beyond.

Visitor responses to Inside

by Kate C
Publish date
10 February 2014
Comments (0)

From 29 August 2013 to 27 January 2014, Melbourne Museum hosted Inside: Life in Children's Homes and Institutions. This travelling exhibition was developed by the National Museum of Australia in the wake of the Australian Government's 2009 national apology to Forgotten Australians and Former Child Migrants.

Visitor comment Comment left by visitor Sebastian that reads, "No child should suffer as much as this. "
Source: Museum Victoria

Some half a million children spent time in institutional care during the 20th century and while some feel that they were treated well, others experienced terrible suffering, neglect, and in the worst cases, abuse. This exhibition is presented through personal accounts of people who grew up in care. Sometimes harrowing, often distressing, Inside's purpose is to acknowledge stories that have long been suppressed or ignored.

An area of the exhibition was set aside with slips of paper and an invitation to visitors to record their reflections. Hundreds of visitors filled out a slip of paper and pinned it up, compiling a very intimate account of how they felt about the exhibition. Many of the comments are extremely personal and we thank visitors for sharing their experiences in such an open and honest way.

The excerpts and examples in this post show the range of responses from former residents of Children's Homes, their friends and families, and from people who had no previous connection to this awful part of our country's history.

My father lived in foster care. I still remember the stories of how he was beaten. It's so painful looking at these things. Caterina,19
1930s-1950s St Augustine's Geelong was my father's home from 5 weeks old. Messed him up for life, but he managed to be a wonderful husband, father and mate. Darren, 49
So sad, so ANGRY. Such abuse shapes your life and requires great courage, support and time to work through. Monique, 34
For my Grandfather, placed in the Ballarat Orphanage at age 3 in 1923. We never heard your full story as you didn't want to talk about it. This exhibition has given us an idea of what your life would have been like. May you rest in peace. xx Shaye, 37
Keep the truth shining and justice for all, I was 12 year old when I was put into a home for no reason at all like many girls. I will hold my head up / no shame. Suzanne, 45

Comment Comment left by visitor Claire at the Inside exhibition. It reads, "Words fail me. What I would give to be able to right all the wrongs."
Source: Museum Victoria

The homes are still with us today, happy for the ones who have been able to move on. Heather, 70
It was tough there but I turned out all right. Don, 74
I was seven when I was told I had nine other brothers and sisters and I had my first birthday party when I turned 17. Alf, 62
This is an authentic exhibition that reveals a very dark side of Australia's 20th century social history. The personal stories of abuse make me weak. But I do not perceive the story told to be wholly balanced. Mark Scott (MD of the ABC) was a child migrant and internee at Fairbridge, NSW. A few resilient souls did rise above the indifferent care at orphanages and achieved success. Tell that story too please. David, 59
It was foster care for me… 10 long years of moving from house to house. At Christmas time three houses in one week. The memories of a gift bring tears to my eyes. A simple Beatles poster from strangers. These people had taken time to find out what I liked – meant the world to me. Never abused but never loved, roof over my head but not a home, always alone but for the memory of that Beatles poster. That memory brings me warmth. That Christmas I was known. Juliette, 36
I am so sorry for ever saying 'it's in the past, get over it,' 'I didn't do it, why should I pay!’ - I now understand my ignorance to these horrific occurrences. My compassion is at large thanks to this display. Anon age 18

Visitor comment Comment left visitor Michael to Inside. It reads, "They stole our dignity"
Source: Museum Victoria

If you missed Inside but would like to know more, the NMA Inside website contains many of the exhibition's stories and objects. Inside: Life in Children's Homes and Institutions travels next to the Western Australian Maritime Museum, Fremantle from 14 March to 29 June 2014 and to the Queensland Museum, Brisbane from 9 August to 16 November 2014.

Sea anemone feast

by Michela Mitchell
Publish date
7 February 2014
Comments (5)

Michela is the first resident taxonomist of Actiniaria (sea anemones) in Australia. This title doesn't come with a ceremonial sash, but it should.

Photographed by Dr Julian Finn on a recent dive trip to Nelson Bay, New South Wales, this sea anemone is taking on a shrimp feast to rival that of an Aussie BBQ. 

Sea anemone A sea anemone, Phlyctenanthus australis, chowing down on a Hinge-back Shrimp, Rhynchocinetes serratus. There's also a photobombing chiton in the background.
Image: Julian Finn
Source: Museum Victoria

Little has been documented about the diets of sea anemones, particularly in Australia. These chance encounters and images help us understand these predominately sedentary animals (although, they can set a cracking pace if they so desire) and what role they play in the marine ecosystem. 

Sea anemones are opportunistic feeders that catch whatever food passes by. Prey is ensnared and then immobilised with specialised stinging cells (nematocysts) found in the tissue of sea anemones.

There are many different types of nematocysts and each has its own function; some are sticky for catching prey, some poisonous, others are used in self-defence. When feeding, the anemone extrudes its mouth and throat (actinopharynx) over the prey, sometimes completely enclosing it. The sea anemone then crushes and digests the food in the throat, which also acts as the gullet. Food waste is then ejected back out the mouth, which doubles as the anus.

Not all sea anemones are totally reliant on eating; some have a symbiosis with zooxanthellae (microscopic algae) that live in their tissues, and the sea anemone can use nutrients created by the photosynthesising algae.

Classic Japanese James Bond car on show

by Shane Salmon
Publish date
5 February 2014
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Shane works in the Exhibitions team, and stays interested in most things techy, as well as old and new music.

Melbourne Museum does not host many motor vehicles, but the Designing 007: Fifty Years of Bond Style exhibition has showcased three very special cars. An iconic 1964 Aston Martin DB5 used in Goldeneye and Skyfall travels with the exhibition and appears at the entrance. Another Aston Martin, a 1969 DBS from On Her Majesty’s Secret Service, was on display in the museum foyer from mid-October until mid-December.

Currently in the main foyer of Melbourne Museum is a very rare car that appeared in the 1967 James Bond film You Only Live Twice — a 1966 Toyota 2000GT convertible. 

Toyota 2000GT Front view of the Toyota 2000GT now on display in the Melbourne Museum foyer.
Image: Rodney Start
Source: Museum Victoria

You Only Live Twice was shot predominantly in Japan and the film’s producers requested an exotic, locally-produced vehicle worthy of a James Bond production. They saw images of the yet-to-be released 2000GT, and knew they had found their car.

Two models of the vehicle were used for filming, and were made into convertibles to enable the crew to get better shots of the actors and the interior. A common misconception is that the cars were modified because Sean Connery was too tall to fit in them, but the request was made to Toyota before production commenced. The two vehicles used for production were the only 2000GT convertibles ever produced. 

Toyota 2000GT Interior of the Toyota 2000GT
Image: Rodney Start
Source: Museum Victoria

The 2000GT was one vehicle that James Bond did not get to drive, as his Japanese accomplice Aki (played by Akiko Wakabayashi), drove him firstly to meet his contact Mr Henderson, before twice rescuing him from inevitable danger. The car is memorably introduced when Bond greets Aki at a sumo wrestling tournament with the code phrase “I love you”, and she responds with “I have a car” — lines written by Roald Dahl.

Only 337 models of the 2000GT were ever produced, making it a very rare and desirable car for collectors around the world. This particular model is a popular attraction at the Toyota Automobile Museum in Aichi, Japan and is on loan to Melbourne Museum until the exhibition closes.

Designing 007: Fifty Years of Bond Style runs until 23 February 2014.

Toyota 2000GT Museum CEO Dr Patrick Green checking out the Toyota 2000GT.
Image: Rodney Start
Source: Museum Victoria

About this blog

Updates on what's happening at Melbourne Museum, the Immigration Museum, Scienceworks, the Royal Exhibition Building, and beyond.